Warning/Greeting from the Ancestors, 2020 Labkhand Olfatmanesh and Gazelle Samizay Photographs and Pin, 5 x 18 x 3” A domestic scene is crumpled, representing a home life that was once concrete and now deteriorating, despite efforts to control one’s…

Warning/Greeting from the Ancestors, 2020
Labkhand Olfatmanesh and Gazelle Samizay
Photographs and Pin, 5 x 18 x 3”
A domestic scene is crumpled, representing a home life that was once concrete and now deteriorating, despite efforts to control one’s fate.

SKETCH MEMORY:
Impressions, Inspirations and Aspirations

Led by artists Labkhand Olfatmanesh and Gazelle Samizay, Sketch Memory: Impressions, Inspirations and Aspirations is inspired by their working process as artistic collaborators. This two-day workshop explored the relationship between inspiration, memories, and hope. Imagined as a call and response between participants through writing and images, stories and impressions, the program offered an opportunity to reflect on impactful moments, shared through postcard-length stories. Participants explored how to visually communicate in both literal and conceptual ways, using symbolism, abstraction, and collage to reflect on another participant’s story. Attendees were given the option to contribute their creations to a collective showcase on the After Hope website.

Past: October 27 and 29, 2020, 9 am

 WORKSHOP GALLERY

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Labkhand Olfatmanesh is a multidisciplinary artist examining topics of feminism, race, and isolation. Her works explores how these forces take shape in her home country of Iran and in the United States, her home country. Her recent photo and video work has been exhibited in group and solo exhibitions including Photo London U.K.; Rencontres d’Arles, France; Craft Contemporary, Los Angeles; 4 Culture, Seattle; FestFoto, Brazil; POST Gallery; the Los Angeles Municipal Art Gallery; and the Asian Art Museum of San Francisco. She has been awarded high honors from The Los Angeles Center of Photography (First Place, 2018) and LensCulture (Jurors Pick, 2018). She earned a B.A. in graphic design at Azad University in Tehran, Iran and a Photography Certificate in 2006 from the London Academy of Radio, Film, and Television. Her work has also been featured by the United Nations, the British Council, and Australian High Commission (2005) as well as at the Peace of Utrecht Festival, Netherlands (2006) and in the UNESCO Palace, Lebanon (2006). She was also a member of The European Federation of Journalists (EFJ). Currently, she lives and works in Los Angeles, California.

 
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 Born in Kabul, Afghanistan and raised in rural Washington state, Gazelle Samizay makes work often reflecting on the complexities and contradictions of culture, nationality, and gender through the lens of her bicultural identity. Her work in photography, video, and mixed media has been exhibited across the U.S. and internationally, including at Whitechapel Gallery, London; Los Angeles Municipal Art Gallery; the California Museum of Photography, Riverside; the South Dakota Museum of Art, and the Slamdance Film Festival, Park City, Utah. Her pieces are part of the permanent collections of the Los Angeles County Museum of Art; the Center for Photography at Woodstock, New York; and En Foco, New York. In addition to her studio practice, her writing has been published in One Story, Thirty Stories: An Anthology of Contemporary Afghan American Literature and she is a founding member of the Afghan American Artists and Writers Association. Samizay has received numerous awards and residencies, including from the Princess Grace Foundation, New York; Craft Contemporary, Los Angeles; the Arizona Community Foundation, Phoenix; Level Ground, Los Angeles and the Torrance Art Museum, California. She received her M.F.A. in photography from the University of Arizona and currently lives in San Francisco.